PILECI IZBORI
/ CHICKEN ELECTIONS
DIRECTOR: GORAN RADOVANOVIC
SERBIA AND MONTENEGRO 2005
48 MIN / BETA SP, COLOR + B&W, OV w. engl. ST
Caligari: 06.04. / 2.30 pm
Bellevue-Saal: 07.04. / 8.00 pm
DIRECTOR:
Goran Radovanovic
SCREENPLAY:
Goran Radovanovic
CAMERA:
Radoslav Vladic
EDITOR:
Stevan Maric
MUSIC:
Nemanja Mosurovic
PRODUCER:
Goran Radovanovic
PRODUCTION:
Nama Film, Belgrad
Tel.: 00381 - 11 / 260 37 62
Fax: 00381 - 11 / 260 37 62
e-mail: princip@eunet.yu
DISTRIBUTION:
Doc & Co, Paris
Tel.: 0033 - 1 / 427 789 65
Fax: 0033 - 1 / 427 736 56
e-mail: catleclef@doc-co.com
The documentary by Goran Radovanovic opens with black-and-white footage
of reports on the commissioning of Serbia’s first mobile-telephony
network, celebrated at the time as symbolic of progress and prosperity.
Cut to the present day: a small village somewhere in rural Serbia. Mobiles
are no longer anything special, but otherwise little has changed in the
region. Reports on the upcoming parliamentary elections drone from the
radio while the local traffic policeman tries to teach his old grandmother
how to use a mobile phone. Glimpses of this old lady, who lives a lonely
life on a remote farm, become the red thread running through the film
with its snapshot-like portraits of everyday life in the tiny community.
There’s the grocer’s shop the men visit to talk about money
and politics. Or the postman who delivers on his moped the ballot papers
for the forthcoming elections. The policeman who stops cars as he fancies.
The school with a handful of children in the overlarge classroom. The
pub in which something approaching merriment occasionally arises. And
the recurrent visits to the old peasant woman: Her matter-of-fact inventory
of aches and pains delivered to the local doctor, her worries about increasing
thievery confided in the village priest. He at least has a simple explanation
to offer: “That’s the way we Serbs are.” Doing without
any kind of voice-over commentary for a film which alternates between
cheerful and melancholic, Radovanovic observes life in a village where
a change of government is little more than a far-away news item, but where
the people remain hopeful that change will come.
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